Saturday 10 December 2011

Jagjit Sing : The King of Ghazals



Jagjit Singh
Jagjit Singh is one of the most famous Ghazal singers of the modern times. In an era where the current generation is headed towards rock and hip hop music, it is refreshing to see them cherish Jagjit Singh ghazals as well. Born in Ganganagar located in Rajasthan on 8th February, 1941, the name Jagjit means the one who triumphs over the world. His father Sardar Amar Singh Dhiman was a Government official and his mother Sardarni Bachchan Kaur had a religious family background. He has four sisters and two brothers and is fondly addressed as "Jeet" by his family. Check out this biography of Jagjit Singh, which captures his intriguing life history.

Jagjit Singh studied at Khalsa High School located in Ganganagar. After completing his matriculation, he took up science. He graduated in Arts from DAV College located in Jalandhar and has a post graduate degree in history from Kurukshetra University, Haryana. His father wanted him to join the Indian Administrative Services. But when he saw his son achieving accolades in the world of music, he was more than happy. Jagjit learnt classical music under Pundit Chaganlal Sharma and achieved expertise in classical forms like Khayal, Thumri and Dhrupad.

He moved to Bombay in the year 1965 searching for better luck in the field of music. Any budding artist faces initial struggles and tribulations before finally making an indelible mark in the industry. He got assignments that were limited to performing at wedding functions and singing jingles for advertisements. Around 1970's, the world of ghazals was dominated by renowned names like Noor Jehan, Malika Pukhraj, Begum Akhtar, Talat Mahmood and Mehdi Hassan. Jagjit Singh made the efforts to come with his first album titled "The Unforgettables", which was a collection of semi-classical Indian music. The different melody and freshness in Jagjit's voice appealed to all and he was recognized by the industry. Though he was scorned by many critics, it did not deter him from carving a nice for himself. The album sold numerous copies and was a hit with listeners.

While Jagjit Singh was still doing jingles for advertisements during the initial years, he met another singer named Chitra. They got married after a two year long courtship in the year 1969. Together, they exemplified the first successful husband-wife singing team. They both produced numerous soulful and melodic Ghazals which were enjoyed by a wider audience. Some of the popular albums of the couple were Ecstasies, A Sound Affair and Passions.

During the early 90's, they released an album named Beyond Time, which was an experimentation with different sounds and music. It conveyed a feeling that was beyond space and time and logical explanation. Sadly, around this time, their only son Vivek met with an accident and died at the young age of twenty one. It was a huge jolt for the couple and also all their fans and well wishers all over the world. After the album "Someone Somewhere", Chitra quit singing. The songs are emotionally very powerful and moving since they connect with the personal loss of the couple.

However, Jagjit Singh continued to sing and his songs have only gained more popularity with each passing day. His later albums named Hope, In Search, Insight, Mirage, Visions, Kahkashan (Galaxy), Love Is Blind, Chirag (Lamp), etc. have made him the top Ghazal singer in the country and a favorite among fans. An album with Lata Mangeshkar named "Sajda" (Offering) was a hit and sold innumerable copies. It was a classic Ghazal album. Jagjit Singh did not limit himself to just Hindi songs and has also sung many Punjabi songs. His bubbly and vibrant Punjabi songs are very popular and are very pleasant to hear.

Jagjit Singh has also sung many songs for Hindi movies. Popular films include Arth, Saath Saath, Premgeet, Tum Bin, Sarfarosh, Dushman and Tarkeeb. Jagjit Singh has proved himself as a genius as he brings out the true meaning of Mirza Ghalib's poetry by singing them as melodious Ghazals. The album can be easily called as a masterpiece. His transition from the 90's till date has been absolutely marvelous as he has moved towards much more melodious and meaningfulGhazals. The quality of his voice has only become better. Besides movies, he has sung many devotional songs also that are very peaceful to hear. Jagjit Singh is any day the undisputed Ghazal artist in the modern times.



Why This Kolaveri Di Song Meaning, Translated to English

Why This Kolaveri Di is the rage now, everybody’s singing it! You aren’t alone if you’re wondering “What does Kolaveri mean?
Without getting too literal, Kolaveri means killer rage. While for most folks, the song doesn’t need a translation, here’s our attempt at translating it from Madras Tamil to English, with all nuances included, and keeping the meaning intact.
Play the song while you go over the lyrics. 



Translated Lyrics -

Yo boys, I am singing song… 
Soup song, flop song. 
Why this killer rage, killer rage, 
killer rage, girl?
Why this killer rage, killer rage, 
killer rage, girl? 
Rhythm correct. 
Why this killer rage, killer rage, 
killer rage, girl? 
Why this killer rage, killer rage, 
killer rage, girl? 
Maintain please. 
Why this killer rage, …, …, girl? 
The moon is in the distance, the moon. 
Moon’s colour is white. 
Night’s background is white, the night, 
Night’s colour is black. 
Why this killer rage, killer rage, 
killer rage, girl? 
Why this killer rage, killer rage, 
killer rage, girl? 
She’s a fair-skinned girl, girl, 
Girl’s heart is black, 
Her eyes and my eyes met,
 My future is now dark. 
Why this killer rage, killer rage, 
killer rage, girl? 
Why this killer rage, killer rage, 
killer rage, girl?
Buddy, take notes, and 
take the saxophone in your hand.

-> cutey sung by Sonu Nigam's son. 


“pa pa paan pa pa paan pa pa paa pa pa paan”
 Play it right. Super, buddy! 
Ready? Ready? 1… 2… 3… 4… 
Whoa, what a difference buddy! 
Alright buddy, now tune changes… 
“Kaila” glass… 
Only English, eh! Glass in hand, 
Scotch in glass, Tears in eyes, 
Life’s empty, Girl shows up, 
Life’s going downhill. 
Love, love, oh my love, 
You stood me up. 
Cow, cow, holy cow, 
I want you here now! 
God, I’m dying now, 
But she’s happy, how? 
This song is for the soup boys, 
We don’t have a choice. 
Why this killer rage, killer rage, 
killer rage, girl? 
Why this killer rage, killer rage, 
killer rage, girl? 
Why this killer rage, killer rage, 
killer rage, girl? 
Why this killer rage, killer rage, 
killer rage, girl?

Virender Sehwag reaches double-century from only 140 balls against Windies


THE wonder was not in how many Virender Sehwag scored against the West Indies in Indore on Thursday, but how many he might have scored if he had not been dismissed.
THE wonder was not in how many Virender Sehwag scored against the West Indies in Indore on Thursday, but how many he might have scored if he had not been dismissed.
There were 3 1/2 overs remaining of India's innings when Sehwag was caught at long-off for 219, the highest individual score in one-day international history. When Sachin Tendulkar had become the only previous batsman to make a double hundred in the international 50-over game, against South Africa last year, he had inched across the line in the final over, finishing unbeaten on a round 200 from 147 balls.
But Sehwag had power to add on Thursday, having reached his double century from only 140 balls and reached 219 from a further eight before he drove Kieron Pollard to long-off and took his leave, his hand shaken on the way by almost every West Indies fielder. They were, presumably, hoping that some of the magic _ and the luck _ would rub off.
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That was to no avail. Inevitably, they fell a long way short of India's total of 5-418, which was its highest one-day total, beating the 7-414 it had scored against Sri Lanka in Rajkot two years ago. It was the joint fourth-highest total in the history of one-day internationals _ all 3223 of them _ and the 10th total of more than 400.
In pursuit, the West Indies slumped to 7-145 by the 25th over and although Dinesh Ramdin made 96 to ensure that, collectively at least, they surpassed Sehwag's effort and made 265 in a 153-run defeat, which gave India a 3-1 lead in the five-match series.
As for Sehwag, he had his fair share of luck, but that is only to be expected when such a daring strokemaker stays at the crease for almost 50 overs. He was dropped twice, most glaringly on 170, when he sliced a drive at Ravi Rampaul directly towards cover, where Darren Sammy put down a straightforward chance.
"When Sammy dropped the catch, I thought God was with me," Sehwag said. "He was telling me, 'You just bat till the 45th or 46th over and get your 200'."
Whoever was talking to Sehwag clearly underestimated his abilities, because he had reached his double hundred by the end of the 44th over, cutting Andre Russell for four to reach the landmark.
"Whenever I hit the ball into the gaps, it would go for four," he said. "Whenever I decided to hit a six, I would hit with a straight bat and it would go for six."